Every-
thing then is now

DATES:

September 15–21

LOCATION:

Old Waiting Room

OPENING NIGHT:

September 16

Year:

2025

Next Exhibition

SPIRA9’s Everything Then is Now – Alter Peckham transforms The Old Waiting Room at Peckham Rye Station into a nomadic stage, where site-specific works by artists and makers evoke shifting temporalities and dissolve the thresholds between memory and the present.

With Everything Then is Now – Alter Peckham, SPIRA9 launches its nomadic series Othering, a curatorial project that brings art to London’s forgotten and peripheral spaces. The series reactivates disused and marginalised sites, turning them into living spaces for cultural dialogue and reflection. Through these artistic interventions, Othering transforms overlooked parts of the city into places of renewal and shared imagination.

The Old Waiting Room at Peckham Rye Station, a Victorian relic sealed for over half a century, was famously reanimated in 2023 through Sarah Sze’s Metronome. Here, SPIRA9 takes the baton, not to restore or occupy the space, but to inhabit its liminality: the space between what was and what is yet to come.

Peckham, where histories, geographies, and identities converge, is the ideal site for an exhibition exploring the cyclical and shifting nature of belonging. Over seven days, interdisciplinary artists respond to thresholds of form, discipline, and identity through site-specific works that dissolve temporal boundaries.

The space becomes a mutable realm of otherness. The project’s title signals its conceptual underpinning: that the past is not fixed but constantly re-emerging in the present, and that “Othering,” so often framed as exclusion, can instead be a generative act. Here, difference becomes a site of connection and hybridization, resisting closure in favour of coexisting narratives. In this formulation, the “Other” is not feared but embraced as an agent of transformation.

Clock, Yang Liu, Installation
Junk Time + Pipeline, Nuo (Nora) Yang, Installation

Inside the historic hall, time does not move forward but folds back upon itself. The exhibition achieves this sense of temporal suspension through works that awaken the dormant life of materials.

Yang Liu’s Clock translates the fall of a metal hand into an image of gravity collapsing time itself, while Nuo (Nora) Yang’s Junk Time + Pipeline fossilises the disposable. By casting mass-produced plastics and fragments of domestic life into concrete and silicone, her works turn the language of waste into a quiet archaeology of the present. Both artists, through different material languages, confront how time leaves marks that are mechanical, emotional, and social, traces that can no longer be erased.

Moments, Sheena Bulpitt, Oil on Canvas
Balcony Whispers, Siyuan Meng’s, Installation

Elsewhere in the space, time softens. Sheena Bulpitt’s Moments Through Time hovers between memory and erasure, her layers of oil pigment evoking condensation on glass, moments that blur and reappear in reflection. Across the hall, Siyuan Meng’s Balcony Whispers transforms solitude into gesture, allowing lace, breath, and movement to redefine stillness. Both artists resist speed and spectacle, inviting viewers to experience quietness as a form of tenderness and resilience.

I Want to Be a Lamp in My Next Lifetime, Min Sui, Sculpture
Vestiges of Becoming, Bailey Graham, Sculpture

At the far end, transformation becomes bodily and tactile.

Min Sui’s towering fabric sculpture I Want to Be a Lamp in My Next Lifetime stands both exhausted and luminous, its hollow torso releasing ribbons of cloth like fragments of selfhood suspended in air. Bailey Graham’s Vestiges of Becoming echoes this fragile mutation through hand-sculpted and vividly painted masks that reveal rather than conceal, beings caught between the human and the otherworldly. Nearby, Voguel’s glass sculpture captures another form of stillness. Composed of blown glass, feathers, resin, and polish, the small hybrid creature gazes upward as if hesitating before flight, its translucent body trembling between gravity and release.

The exhibition allows history and presence to coexist within the same air. Here, otherness becomes a site of becoming, and art acts as a quiet reconstruction of how we inhabit the past.

Everything Then is Now carries a meta-architectural weight. As the Old Waiting Room nears its transformation into a permanent cultural venue, SPIRA9’s activation acts as both prelude and provocation. In collaboration with London Design Festival and public institutions, the curators assert art’s role in shaping how we re-enter and reimagine historic spaces. The exhibition’s closing phrase lands not as a slogan but as an ethos, looping time, identity, and memory into one continuous gesture.

Invited Artists

1e-43 (Lei Zhang) | Angelo Bartolome | Ariel Li & Peifeng Cai | Asia Nowicki | Bailey The Illustrator | Canbin Liu | Chaoming Zheng | Daria Koshkina | DI CAO | Doğan Özdemir | Elizaveta Berkutova | Eman Khalifa | Eva Alliner | Hanyu Wang | Jie Huang | Junying Jiang | Jundai Lin | Lexiong Ying | Lisa Marty | Louis Loveless | Mandy Lane | Manlin Zhang | Maksim Frolov | Martin Darbyshire | Mathijs Hunfeld | Meng Li | Min Sui | Niah McGiff | Nuo Yang | Peiyan Zou | Po-Chien Huang | Qianru Yang | Renate Lurdesa Baumane | Ruohong Chen | Sheena Bulpitt | Shuting Cui (Juice) | Siyuan Meng | Tingyan Luo | Tianyu Zhang | Tonghe Yang | Xin Zhang | Xingyi Qu | Xinyun Li | Xinyu Yan | Xinyue Liang | Yalu Zhao | Yang Liu | Yifan Jing | Yi Ming Zhang | Yiyi Song | Yixin Wang | Yudan Ding (Yuna) | Yujie Liu | Yuwan Zhang

Opening Night: 16 September | 18:00 – 21:00

General Admissions: 17-21 September | 12:00 – 19:00


Opening Night Performance:


· Until Nothing Remains

Visual & Performance: Performance Director/Choreographer/Dancer: James Shing Mu Cheng | Choreographer/Dancer: Siqi Chen

Sound: Live Electronics: Juice | Cellist: Santi Lowe


· A Song of the Blues – Eva Allinder

Performers: Aisling Gallagher | Niamh Gallagher | Lucy Havelock | Ao Shen.


· Balcony Whispers – Siyuan Meng

Director: Siyuan Meng Performer: Azize Sousami composer: Christopher Rodriguez

Curator: Kaycee | Creative Director: Teng Xue | Curatorial Assistant: Jingqi Chen, Hanyu Wang, Spencer Yu | Exhibition Designer: Daniel Foster | Technical Producer: James O’Connor | Photographer: Yilu Tang, Han Wang